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Sony SEL28F20 FE 28mm f/2-22 Standard-Prime Lens for Mirrorless Cameras

4.4 out of 5 stars 381 ratings

$448.00
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Purchase options and add-ons

Brand Sony
Focal Length Description 28 mm
Lens Type Wide Angle
Compatible Mountings Sony E
Camera Lens Description 9

About this item

  • A perfect match for α7 series, 35mm full-frame E-mount cameras, Outstanding optical performance in a wide 28mm focal length, Bright F2 maximum aperture
  • Angle of view (35 mm)75 °,Angle of view (APS-C) 54 °.Minimum Focus Distance : 0.96 ft(AF) / 0.82 ft(MF) (0.29 m(AF) / 0.25 m(MF)), Maximum Magnification ratio : 0.13x(AF) / 0.16x(MF), Focal Length : 28 mm
  • Dust and moisture resistant design, 9-blade circular aperture contributes to gorgeous bokeh, ED glass with multi‐coating reduces flare and ghosting
  • Compact and lightweight design matches a7 series beautifully, A linear actuator focusing mechanism for smooth and quiet AF, Compatible w/ ultra-wide and fisheye converter lenses
  • Mounting Type: Sony E
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Sony SEL28F20 FE 28mm f/2-22 Standard-Prime Lens for Mirrorless Cameras
Sony SEL28F20 FE 28mm f/2-22 Standard-Prime Lens for Mirrorless Cameras
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Price$448.00$345.00$99.00$598.00$899.00-19% $282.45
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Product Description

Product Description

An excellent choice as a second lens, this full-frame 28mm wide-angle prime features a bright F2 maximum aperture and outstanding overall optical performance. Advanced optics and coatings with a 9-blade circular aperture deliver beautiful images. Internal focusing on a fast and quite linear actuator makes this lens ideal for both still and movie.

From the Manufacturer

FE 28mm F2 E-mount Prime Lens

An excellent choice as a second lens, this full-frame 28mm wide-angle prime features a bright F2 maximum aperture and outstanding overall optical performance. Advanced optics and coatings with a 9-blade circular aperture deliver beautiful images. Internal focusing on a fast and quite linear actuator makes this lens ideal for both still and movie.


Additional Features

Circular Aperture

When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.

ED (Extra-low Dispersion) glass / Super ED glass

As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration.

Aspherical lens elements

Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight.


Internal focusing

Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.

Go even wider or fisheye with converters

For even wider perspectives an optional Ultra-wide Converter (SEL075UWC) and Fisheye Converter (SEL057FEC) can be added to increase the angle of view to 21mm wide-angle or 16mm fisheye with full 180° coverage, respectively. Corresponding EXIF data is generated when these converters are attached to the lens, making data management easy.1


1See SEL075UWC/SEL057FEC Product Information for further details.

2015 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice.

All rights reserved. Sony, the Sony logo, (alpha) logo, and SteadyShot are trademarks of Sony. Carl ZEISS and ZEISS is a trademark of Carl Zeiss and Sony Corporation. All other trademarks are trademarks of their respective owners.

What's in the box

  • Sony SEL28F20 FE 28mm f/2-22 Standard-Prime Lens for Mirrorless Cameras
  • Lens hood (ALC-SH112: petal shape, bayonet type)
  • Lens front cap
  • Lens rear cap
  • Product information

    Product Dimensions 2.36 x 2.52 x 2.52 inches
    Item Weight 7.1 ounces
    ASIN B00U29GN6O
    Item model number SEL28F20
    Batteries 1 12V batteries required.
    Customer Reviews
    4.4 out of 5 stars 381 ratings

    4.4 out of 5 stars
    Best Sellers Rank #135 in Mirrorless Camera Lenses
    Is Discontinued By Manufacturer No
    Date First Available March 1, 2015
    Manufacturer Sony

    Warranty & Support

    Product Warranty: For warranty information about this product, please click here

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    Product guides and documents

    Customer reviews

    4.4 out of 5 stars
    381 global ratings

    Review this product

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    Customers say

    Customers find this lens offers excellent value for money, producing sharp results and performing well with the a6000 camera. Moreover, the lens excels in street and architectural photography, with one customer noting its effectiveness for Milky Way photography. Additionally, they appreciate its lightweight design, fast focusing speed, and gorgeous bokeh, while also praising its compact size and color rendition.

    AI-generated from the text of customer reviews

    53 customers mention "Value for money"48 positive5 negative

    Customers find the lens offers excellent value for money, particularly as a wide-angle option, with one customer noting its impressive build quality.

    "...for starting to build your mirrorless kit because the quality is amazing at this price point." Read more

    "For it's price point, it's a very nice/fast lens...." Read more

    "...I recommend this lens over any other FE mount simply because of the value, size, and focal range. I'm glad I returned the 35mm f2.8 for this." Read more

    "In a nutshell: Nice sharpness and expanded capability for an excellent price. Sony got it right with this high-value lens...." Read more

    43 customers mention "Sharpness"43 positive0 negative

    Customers find the lens sharp, with one customer specifically noting excellent color rendition.

    "...The sharpness and color rendition is excellent...." Read more

    "...From wide open it's sharpness is impressive, it's distortion is there, but easily correctable, CA is handled well, and the bokeh to me is very..." Read more

    "In a nutshell: Nice sharpness and expanded capability for an excellent price. Sony got it right with this high-value lens...." Read more

    "...the two lenses are right up there in terms of resolution, color and sharpess...." Read more

    40 customers mention "Image quality"33 positive7 negative

    Customers praise the lens's image quality, particularly for street and architectural photography, with one customer noting its effectiveness for Milky Way photography.

    "...-weight, keeps my camera compact for the most part, and GREAT in low light situations...." Read more

    "...Excellent for landscapes and big scenes. It's my go-to lens for street and vacation photos...." Read more

    "...Of course it's not a macro, but I was happy to get some good shots of individual flowers, under tricky lighting...." Read more

    "...This is now my go to lens for street and architectural photography...." Read more

    37 customers mention "Focal length"37 positive0 negative

    Customers praise the focal length of this lens, particularly noting its compatibility with the a6000 camera. One customer mentions it works well as a complement to the 55mm 1.8 lens.

    "...It’s a great all around lens with great build quality and I highly recommend it as a no-brainer purchase for starting to build your mirrorless kit..." Read more

    "...I also like the fact that you can attach an Ultra-wide Angle lens or Fish-eye lens to it as well." Read more

    "...It's wide enough for street and landscape photography, yet the minimum focus distance is close enough to also be used as a portrait lens...." Read more

    "...I'm beyond frustrated as I really do love this focal length and lens size, its perfect for what I do... When it works...." Read more

    27 customers mention "Lightweight"27 positive0 negative

    Customers find the lens lightweight and portable, making it great for travel and street photography.

    "...It’s really compact on the body and makes a great walk around lens...." Read more

    "...It's light-weight, keeps my camera compact for the most part, and GREAT in low light situations...." Read more

    "This is by far the best carry around lens Sony offers for the FE mount...." Read more

    "...For it's weight, IQ, and speed, this has become my go-to walkaround lens on either full frame or crop." Read more

    22 customers mention "Focusing speed"22 positive0 negative

    Customers appreciate the lens's fast focusing speed, with one customer noting it's quick enough for hand-held low-light situations, while another mentions its buttery-smooth manual operation.

    "For it's price point, it's a very nice/fast lens...." Read more

    "...It's fast enough to capture most hand-held low-light situations with the A7RII...." Read more

    "...outdoors for street photography in an a6500: 5 stars fast AF, hood, dust resistant, no vigenting, no purple fringin (unlike sigma), great..." Read more

    "...My photos with this lens are sharp and it functions smooth as butter with my a7...." Read more

    21 customers mention "Compactness"18 positive3 negative

    Customers appreciate the lens's compact size, with one mentioning it works well with the A7 mirrorless camera, while another notes it's good enough for printing large images.

    "...It’s really compact on the body and makes a great walk around lens...." Read more

    "...It's light-weight, keeps my camera compact for the most part, and GREAT in low light situations...." Read more

    "...this lens over any other FE mount simply because of the value, size, and focal range. I'm glad I returned the 35mm f2.8 for this." Read more

    "Lightweight, compact, sharp and affordable! I also love that its a fairly fast F/2 aperture. I have used this lens on a A7C, A7III and A7SII...." Read more

    20 customers mention "Color rendition"20 positive0 negative

    Customers praise the lens's color rendition and gorgeous bokeh, with one customer noting its creamy backgrounds and another mentioning the absence of purple fringing.

    "...of stuff on vacation in the mountains with this lens and the landscapes look beautiful...." Read more

    "...there, but easily correctable, CA is handled well, and the bokeh to me is very acceptable...." Read more

    "...I believe Voigtlander has a prettier bokeh rendering with a slight faux "leica halo" when wide open that the f2 can't achieve...." Read more

    "...(not a zeiss but I liked the lens color wise), I also saw no chromatic aberration... and the obvious distortion you will get can be easily fixed in..." Read more

    Versatile small lens, sharp photos
    5 out of 5 stars
    Versatile small lens, sharp photos
    I've had this lens for a couple of weeks, and it stays on my Sony a7 more often than I expected. I'm not a rabid pixel peeper, but I work with full frame raw files in Lightroom and I know the difference between a properly focused shot and a fuzzy one. My photos with this lens are sharp and it functions smooth as butter with my a7. It's one of the least expensive Sony full frame e-mount lenses, and I decided to try it because of that. I have not been disappointed - to the contrary, it's exceeded my expectations - and I intend to keep it. I'm finding that I like this focal length for "all purpose" use, more than a 35mm or 50mm lens. I'm uploading some shots I took last week in a park. This is a versatile lens. Of course it's not a macro, but I was happy to get some good shots of individual flowers, under tricky lighting. Some of these photos are cropped; all have been very minimally processed including conversion from RAW to JPG files.
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    Top reviews from the United States

    • Reviewed in the United States on August 23, 2017
      This lens is incredible. I shot a ton of stuff on vacation in the mountains with this lens and the landscapes look beautiful. I also did a bunch of night time astrophotography and they all look gorgeous. The sharpness and color rendition is excellent. Like most lenses, a little less sharp and darker in the corners, but not too bad and can be mostly fixed in post. What really blew me away is how small it is. I’m new to mirrorless, so maybe that’s a part of it, but it’s still small compared to the Sony 85mm f/1.8 I also picked up. It’s really compact on the body and makes a great walk around lens. Wish it was a little wider though, such as 24mm often found on Canon, but I wonder if they couldn’t get it quite this compact otherwise. It’s a great all around lens with great build quality and I highly recommend it as a no-brainer purchase for starting to build your mirrorless kit because the quality is amazing at this price point.
      2 people found this helpful
      Report
    • Reviewed in the United States on February 17, 2016
      For it's price point, it's a very nice/fast lens.

      I have the Sony a5100, mainly for vlogs, and this prime provides great depth of field at "f/2".

      Keep in mind that if you have a crop sensor, in my case I have an APS-C with my Sony a5100, be sure to calculate the "crop factor" in to get the true focal length and aperture. On a crop sensor, this lens ISN'T a 28mm focal length, but rather a 42mm (28mm x 1.5 (Sony's crop factor for APS-C sensor) = 42mm focal length). The aperture is more of a '3' rather than a '2' as you'll want to multiply the crop factor to the aperture as well for the crop sensor. So in my case, it doesn't act like a 'wide angle' lens, but more close to a 50mm lens, which is perfect because I was thinking of getting the 50mm f1.8, not knowing yet about the crop factor (this lens would have been a 75mm!).

      It's light-weight, keeps my camera compact for the most part, and GREAT in low light situations.

      This lens does not have OSS (Optical Steady Shot), so it can be very shaky when filming without a gimbal of some sort.

      I also like the fact that you can attach an Ultra-wide Angle lens or Fish-eye lens to it as well.
      2 people found this helpful
      Report
    • Reviewed in the United States on July 8, 2015
      This is by far the best carry around lens Sony offers for the FE mount. When you compare the price and performance, this far out performs the 35mm f2.8, and though the new Zeiss Batis 25mm is absolutely gorgeous, it's three times the price. I also own the 55mm f1.8, but this is the lens on my a7ii 90% of the time. From wide open it's sharpness is impressive, it's distortion is there, but easily correctable, CA is handled well, and the bokeh to me is very acceptable.

      It's wide enough for street and landscape photography, yet the minimum focus distance is close enough to also be used as a portrait lens. There is quite a bit of distortion when using for portrait, but Lightroom has a lens profile that eliminates that. I believe this should be offered as a kit lens over the 28-70mm.

      Overall, I recommend this lens over any other FE mount simply because of the value, size, and focal range. I'm glad I returned the 35mm f2.8 for this.
      57 people found this helpful
      Report
    • Reviewed in the United States on September 24, 2015
      In a nutshell: Nice sharpness and expanded capability for an excellent price.

      Sony got it right with this high-value lens. It's surprisingly sharp for the price and has very nice bokeh. Excellent for landscapes and big scenes. It's my go-to lens for street and vacation photos. It's fast enough to capture most hand-held low-light situations with the A7RII. While plastic construction, it feels good in the hands and is definitely not flimsy construction. I'm still getting used to the fly-by-wire manual focus on these lenses, but so far have found it to be quite usable. After also buying the 55mm super-sharp Zeiss glass, I find myself wanting just a bit more sharpness, but it's still leaps and bounds beyond my old equipment. Finally, my one gripe is that it wasn't packaged with a rear lens cap. Had to pick that up separately. Seems like a cheap addition to the package, but I wont let it tarnish the rating of this lens.

      Next, I'm picking up the Sony wide-angle adapter.

      No regrets at all with the purchase. Well worth every penny.
      Customer image
      VJS
      5.0 out of 5 stars
      Nice sharpness and expanded capability for an excellent price.

      Reviewed in the United States on September 24, 2015
      In a nutshell: Nice sharpness and expanded capability for an excellent price.

      Sony got it right with this high-value lens. It's surprisingly sharp for the price and has very nice bokeh. Excellent for landscapes and big scenes. It's my go-to lens for street and vacation photos. It's fast enough to capture most hand-held low-light situations with the A7RII. While plastic construction, it feels good in the hands and is definitely not flimsy construction. I'm still getting used to the fly-by-wire manual focus on these lenses, but so far have found it to be quite usable. After also buying the 55mm super-sharp Zeiss glass, I find myself wanting just a bit more sharpness, but it's still leaps and bounds beyond my old equipment. Finally, my one gripe is that it wasn't packaged with a rear lens cap. Had to pick that up separately. Seems like a cheap addition to the package, but I wont let it tarnish the rating of this lens.

      Next, I'm picking up the Sony wide-angle adapter.

      No regrets at all with the purchase. Well worth every penny.
      Images in this review
      Customer imageCustomer imageCustomer image
      36 people found this helpful
      Report
    • Reviewed in the United States on December 28, 2015
      Have this for four months now. Bought this to supplement Voigtlander 35mm 1.2 for when I need autofocus such as when shooting moving objects or video. Sharpness wise, the two lenses are right up there in terms of resolution, color and sharpess. I believe Voigtlander has a prettier bokeh rendering with a slight faux "leica halo" when wide open that the f2 can't achieve. There is notable distortion with both lenses. It's not worth fixing most of the time with the Voigtlander. And, it's very easy to fix with lens profile with the Sony.

      I also have the 21mm converter. Great attachment for the 28mm lens. Easy to attach and detach, and fairly well built for the price. Picture is softer with the adapter, but, amazingly enough, the distortion is lower. At the same time, distortion is harder to fix if you want it distortion free.

      I use this lens on both my A7II and NEX3N. They are just as sharp on both cameras. With the 21mm adapter, the NEX3N is sharper.

      My opinion, I can't justify getting the 35mm FE when you can get this lens. IMO, it's better in every way even if they were the same price.
      5 people found this helpful
      Report

    Top reviews from other countries

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    • J W
      5.0 out of 5 stars Great value prime for Sony
      Reviewed in Canada on August 2, 2018
      Fast compact prime which is really well balanced for Sony bodies. Great AF. Pretty extreme barrel distortion and pretty heavy vignetting, but software corrected. Corners can be soft until stopped down.
    • Dipansu Halder
      5.0 out of 5 stars Great seller
      Reviewed in India on March 9, 2020
      Great product. Fast delivery.
    • Anuck Suanlarm
      5.0 out of 5 stars Great all around lens!
      Reviewed in Japan on May 7, 2019
      I have this mounted on my a7III most of the time. Fits into my smaller bag easily as well. The focal length is perfect for walking around and taking casual photos. F2 is a bonus.
    • Cliente de Amazon
      5.0 out of 5 stars Excelente lente para video
      Reviewed in Mexico on July 31, 2018
      Este lente se usa con una Sony A7SII y a pesar de parecer un lente económico los resultados de imagen son muy buenos. Rayando en los límites de un lente angular, es perfecto para casi cualquier ocasión y encuadre, su f/2 da una profundidad de campo muy bonita, se mantiene sharp en los bordes y los colores son muy neutros. El autofocus es increíblemente silencioso y el autofoco contínuo es un poquito lento pero muy efectivo por lo que este video funciona excelente para video, especialmente para vlogging. Muy compacto y ligero por lo que no agrega mucho peso a tu rig
      Report
    • Andreas
      4.0 out of 5 stars Gutes Objektiv - etwas zu teuer
      Reviewed in Germany on January 15, 2024
      Das 28mm Objektiv von Sony mit F2.0 ist ein guter Ersatz für Kit-Linsen, da es auch bei Offenblende noch brauchbare Resultate liefert. Vignettierung ist vorhanden, aber in keinem störenden Ausmaß. Das Objektiv ist hochwertig gefertigt, trotzdem recht kompakt und nicht zu schwer. Die Streulichtblende ist aus Kunststoff. Bei Offenblende weist das Objektiv manchmal leichte chromatische Aberrationen auf, die sich in violetten Kanten im Bild manifestieren. Ich habe das Obejktiv wegen seiner Kleinheit behalten. Den Preis halte ich für die Leistung leicht zu hoch.